Triptych
Triptych
132"x30"
Black pencil on white BFK Rives paper
132"x30"
Black pencil on white BFK Rives paper
Embedded Files
132"x30"
Black pencil on white BFK Rives paper
Triptych: Part 1
Triptych: Part 1
44"x30"
Black pencil on white BFK Rives paper
44"x30"
Black pencil on white BFK Rives paper
Triptych: Part 2
Triptych: Part 2
44"x30"
Black pencil on white BFK Rives paper
44"x30"
Black pencil on white BFK Rives paper
Triptych: Part 3
Triptych: Part 3
44"x30"
Black pencil on white BFK Rives paper
44"x30"
Black pencil on white BFK Rives paper
Alienígena
Alienígena
42"x30"
Black pencil on white Arches Cover paper
42"x30"
Black pencil on white Arches Cover paper
Earth Wrinkles
Earth Wrinkles
42"x30"
Black pencil on white Arches Cover paper
42"x30"
Black pencil on white Arches Cover paper
Pelt
Pelt
42"x30"
Black pencil on white Arches Cover paper
42"x30"
Black pencil on white Arches Cover paper
Fold Fur
44"x30" Graphite pencil on tan BFK Rives paper
Fold Fur
44"x30" Graphite pencil on tan BFK Rives paper
Fir Fur Fer
44"x30" Graphite pencil on tan BFK Rives paper
Fir Fur Fer
44"x30" Graphite pencil on tan BFK Rives paper
Drawn & Quartered
44"x30" Graphite pencil on tan BFK Rives paper
Drawn & Quartered
44"x30" Graphite pencil on tan BFK Rives paper
Great Divide
44"x30" Graphite pencil on tan BFK Rives paper
Great Divide
44"x30" Graphite pencil on tan BFK Rives paper
Oval Void
44"x30" Graphite pencil on tan BFK Rives paper
Oval Void
44"x30" Graphite pencil on tan BFK Rives paper
Graphite #4
44"x30" Graphite pencil on tan BFK Rives paper
Graphite #4
44"x30" Graphite pencil on tan BFK Rives paper
Graphite #5
44"x30" Graphite pencil on tan BFK Rives paper
Graphite #5
44"x30" Graphite pencil on tan BFK Rives paper
Dark Corner
44"x30" Graphite pencil on tan BFK Rives paper
Dark Corner
44"x30" Graphite pencil on tan BFK Rives paper
Apophenia
44"x30" Graphite pencil on tan BFK Rives paper
Apophenia
44"x30" Graphite pencil on tan BFK Rives paper
This series of drawings explore tactile and other sensation through visual texture. I experience a kind of meditational state drawing this way with pencil on large paper with a minimum of planning. The interaction and contrast of abstraction and natural realism is often at play in these works.
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